Deconstructing the forced assimilation of deaf people via De'VIA resistance and affirmation art

Show simple item record

dc.contributor.author Durr, Patricia en_US
dc.date.accessioned 2005-11-01T20:57:26Z en_US
dc.date.available 2005-11-01T20:57:26Z en_US
dc.date.issued 2000 en_US
dc.identifier.issn 1058-7187 en_US
dc.identifier.uri http://hdl.handle.net/1850/1114 en_US
dc.description.abstract Historically many outstanding artists who were deaf have contributed to the visual arts, such as: Louis Frisino, Felix Kowalewski, Granville Redmond, Cadwallader Washbum, and Regina Olson Hughes. While these distinguished artists have enhanced the field of art, their work has not focused on the Deaf experience itself. With a heightened appreciation, acceptance, and acknowledgment of Deaf culture and American Sign Language (ASL), we see a virtual explosion of Deaf artists moving away from mainstream art to art that gives voice to their unique cultural experiences. This movement in the United States is known as Deaf View/Image Art (De'VIA). This paper will discuss the historical contexts for a shift in subject matter by North American Deaf artists and the meaning of Deaf View/Image Art. In addition, an analysis of two major Deaf artists and their significant impact on the field of visual art will be presented. en_US
dc.format.extent 508571 bytes en_US
dc.format.mimetype application/pdf en_US
dc.language.iso en_US en_US
dc.publisher Visual Anthropology Review, Society for Visual Anthropology en_US
dc.relation.ispartofseries Vol.14 en_US
dc.relation.ispartofseries No.2 en_US
dc.subject Deaf artists en_US
dc.subject Deaf culture en_US
dc.subject Deaf view/ image art en_US
dc.title Deconstructing the forced assimilation of deaf people via De'VIA resistance and affirmation art en_US
dc.type Article en_US

Files in this item

Files Size Format View
PDurrArticle2000.pdf 508.5Kb PDF View/Open

This item appears in the following Collection(s)

Show simple item record

Search RIT DML


Advanced Search

Browse