Sans entre nous

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dc.contributor.advisor Wun, Clifford
dc.contributor.advisor Lightfoot, Thomas
dc.contributor.author Flemm, Nancy
dc.date.accessioned 2011-11-14T15:46:22Z
dc.date.available 2011-11-14T15:46:22Z
dc.date.issued 2011-06
dc.identifier.uri http://hdl.handle.net/1850/14336
dc.description.abstract 2000 ushered in an era of immediate visibility and messaging, that cultivated an idealized social identity while destroying ones personal identity. who we are isn't as important as how we appear. society greatly encourages a detachment from the self in order to obtain public perfection. sans entre nous' quadrigeminal collection visually dialogues identity struggles depicted through our unconscious sensory reactions. the innovative methodologies of intaglio-type printmaking magnify the subject in depth and texture. by virtue of imagery and medium, sans entre nous succeeds in exemplifying the need for self acceptance. en_US
dc.language.iso en_US en_US
dc.subject Intaglio-type printmaking en_US
dc.subject Non-toxic printmaking en_US
dc.subject Printmaking en_US
dc.subject.lcc NE850 .F53 2011
dc.subject.lcsh Prints--Technique en_US
dc.subject.lcsh Prints--Themes, motives en_US
dc.subject.lcsh Intaglio printing en_US
dc.subject.lcsh Identity (Psychology) in art en_US
dc.subject.lcsh Human figure in art en_US
dc.title Sans entre nous en_US
dc.type Thesis en_US
dc.description.college College of Imaging Arts and Sciences en_US
dc.description.department School of Art en_US
dc.contributor.advisorChair Howard, Keith

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