Fabric constructions

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dc.contributor.advisor Bujnowski, Donald
dc.contributor.advisor Lauderman, Max
dc.contributor.advisor Meyer, Fred
dc.contributor.advisor Johnston, Robert
dc.contributor.author Dunkin, Joanna
dc.date.accessioned 2009-06-05T14:27:12Z
dc.date.available 2009-06-05T14:27:12Z
dc.date.issued 1983-05-15
dc.identifier.uri http://hdl.handle.net/1850/9744
dc.description.abstract The artist is not simply a passive reflector of his or her world, but a dynamic creator of it. I have tried to expand and enrich my experience rather than merely duplicate it. The world I create is of planes, volumes, spatial sequences, and some familiar architectural elements such as stairs and boxes. By using the above mentioned elements, a number of interlocking and highly ordered spatial relation ships have resulted. An interlocking spatial relationship consists of two spaces whose fields overlap to form a zone of shared space. When two spaces interlock their volumes in this manner, each retains its identity and definition as a space. But the resulting configuration of the two interlocking spaces will be subject to a number of interpretations . My concern is with these various interpretations . The shapes left open for interpretation appear to have depth or to be three dimensional, but are presented on a two dimensional surface. I have also ventured to place two and three dimensional images on three dimensional pieces . Emphasis is also placed on double interpretation of a group of shapes -- shapes that belong to two or more images and seem to move in different directions . en_US
dc.language.iso en_US en_US
dc.subject Fiber arts en_US
dc.subject Shapes en_US
dc.subject Textile design en_US
dc.subject.lcc NK4704.D85 1983
dc.subject.lcsh Flags en_US
dc.subject.lcsh Textile design en_US
dc.subject.lcsh Costume design en_US
dc.title Fabric constructions en_US
dc.type Thesis en_US
dc.description.college College of Fine and Applied Arts en_US

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